‘To Live Through Death’ can be named an excellent all sorts of the thriller genre which informs reader about human traffic on the Island of Caribbean Sea-Pacific Ocean fictitious region. The film is based on Chen, a man who is rather tacit, and through dramatically depicting his struggle against his past attempting to kidnap his adopted daughter, securing her from a group of criminals. There are thematic concerns touching on family and love and sacrifice, oppression and injustice, that accompany the problem of human exploitation on an individual and social level.
Thus, certain dramatic performance of the main and some other characters provides an emotional foundation for the film. This direction is fine to set different moods of grim’n’grime, raw action sequences as well as romantic scenes; the concept of the cinema graphic makes the island beautiful and horrifying at the same time. In terms of production design, some ideas; which contribute to the narrative are: trafficking in humans.
Casting aside the stilted, heavily-accented dialogue of most foreign films, the dialogue of the film is notable for its calm yet exposed emotion: this is further evidenced in the so purported protagonist, Chen. Therefore, “To Live Through Death” offers the spectators a cinematographic show that terrifically cyclically inscribes the tastes of the action and the brief referential appeal to the morality which can be a concise valuable premise of the cinematic in the form of the play of the objet a with the ethical non-essence.
