From Mahatma Gandhi turned hostage negotiator and spy for the Special Anti-Terrorist Squad (SATS)…this is a riveting story called ‘The Greatest of All Time’. The movie visually elaboratively portrays his role as he is fighting real terrorists outside while coming to terms with an internal secret terrorist in his own life. It combines shooting with shots of contemplation, themes of redemption, sacrificing and struggling between the black and white conception of the World and the immoral deed of survival that make the visitor feel a deep compassion for Gandhi.
Film moves the plot up adding dramatic mood to a cinematography and using bright and nostalgic flashbacks as episodes. Having multiple characters who offer different opinions on conflict and directly contradict Gandhi also contributes to making the story of the narrative more ambiguous. Another thing that some viewers can find it hard to accept is the fairly fully fictionalized component in the story The movie poses much more profound questions about the contemporary world concerning peace and violence.
Finally, ‘The Greatest of All Time’ also becomes the spy thriller that is able to entertain and present viewers with the inner reflection regarding human capabilities for the choice and the tragedy behind them; Along with this the audience is invited for the historical inner monologue.
