“Saripodhaa Sanivaaram” is an amusing exterminate which gives importance to Surya, a single mythical spirit created by his mother to avenge only on Saturdays. Thus, this leaves an interesting plot that forms the backdrop to further fleshing out character of Surya and why he is fighting against the evil I am not referring to another film’s antagonist Inspector R. Dayanand who portrays the vile villain with full legal sanction to kill as many innocents as he wants. This leads to incident involving Surya Dayanand which form the core of the movie and the viewers’ interest in the Surya the seeker of justice.
The film’s lighting and framing give action scenes and slow, contemplative looks at Surya that really portrays the character’s inner conflict well. While choreography of fight scenes is quite spectacular, and is symbolic of physical prowess, they also depict Surya’s ethical challenges. As it does occasionally tiptoe into conventions of a standard vigilante drama, Surya’s gimmick of avenging only on Saturdays is interesting enough to keep viewers hooked.
Therefore, several scores actively enhanced some scenes of the film adding tension and brought a worthwhile reflexive aftertaste to its successful compositions. All in all, “Saripodhaa Sanivaaram” is a powerful drama featuring justice and honor and it also made three significant questions to the viewers’ feelings when they watched the injustice in the world of corruption and power and offers to become interested and important piece in the vigilante film’s repertoire.
