Canary Black’ gives us a well written and engaging plot with the main focus on the loyalty of a wife to his husband, Avery Graves. This television series drops Avery into a worst-case situation: she has to track down her husband’s killer to save her captors’ hostage. From this promising beginning the film can explore the troubling subjects of personal fidelity as against nationalism abstracting people into Avery’s stirring emotional process.
Breaking scenes is done cleanly, while the director manages to uphold a fast tempo that brings tension and a buildup of suspense throughout the movie. Avery as a character becomes rather complex, Chang’s sympathetic yet strong character adds depth to the plot. The composition still remains one of the major strengths of the film – it optimally escalates and raises the spirits in dramatic scenes, and the soundmines the turmoil Internal to enact.
However, the film is not exempt from certain weaknesses, most especially to the fact that, at certain instances, the movie is highly predictable, riddled with clichés and worn-out plot twists that would not really heighten the sense of tension in the viewers. Still, *Canary Black* manages to remain an interesting show at best and to force its viewers to think about love, and the nature of sacrifices at worst. In general, it is fun to watch, and successfully combines men’s battle with meaningful narratives, which sink in after the movie ends.
