‘August Rush’ by Kirsten Sheridan is that kind of movie that holds lots of hope, presenting the kind of love that unites people, as well as the kind that partitions people due to the loss they face. Needless to say, the treatments of the plot are characterized by introducing an intelligent orphan Evan (Freddie Highmore) who attempts to find his birth parents, and with the help of the melody, it also illustrates how language of affection has no limits. Highmore is accurate and hits on both naivety and persistence of the kid and the despair of the separated parents scared by the Quarantine film starring Keri Russell and Jonathan Rhys Meyers.
The move is largely enhanced by extra-ordinary music part of which is classical/ and others; modern they play a great role in effecting a social change by provoking emotion. In the aspect of the picture, it may be discussed about excellent work with regards to cinematography which adds to the basic premise of the film that is showing New York City.
The film can be drama and overly optimistic at some point at others and some sequences do seem quite forced, nevertheless, the spirit of the picture is uplifting, love and music can save people. Last but not least, “August Rush” transcends a pure coming of age story and creates an entirely believable world which is closely connected, emotionally, to perspectives of individual performers.
