’If Paris could commit murder, it would be a fitting backdrop for an environmental thriller with the sub-genre’s of personal salvation and suspense.’ Play, descriptive Hanna Lobanov & Maria Ten: “Emotional Scientist on Grieving for the Victim of a Shark Attack”, the film centers on a gigantic shark threatening to attack people beside the Seine River where the respondents of the World Triathlon Championship that will be held summer of this year are training when it begins to attack and kill its prey. In the 2004 and 2016 versions, an environmental activist Mika, and a police commander Adil two leading characters need to rescue the city and cope with their problems and PTSD.
Bernardo proves that surroundings are great; Paris as a city becomes connected with a great threat – a shark, the last feeling is depicted through outstanding outer/inner cinematography. The relationships between the characters define the plot so it is possible to discuss quite sensitive matter as healing and leaving behind the terrible experience. The score adds to the plot when it comes to emotional aspect and evokes a want of raising the stakes.
I believe there are moments when you can put the thinking cap aside and follow the movie, and even though some characters do change and probably do not have a great deal of development, they are not necessarily rotten the movie. The show *Under Paris* answers to such topics and lets the spectators take home equal doses of both, fear and hope towards rehabilitation even in worst. It can seen it as a well developed movie that does not contain typical clichés of the disaster genre.
